On Friday, 16th of March 2007 and only three
days after my birthday, I embarked on what was my next expedition into
Gigerland and consequently, I considered this trip to be a personal celebratory
treat.
Little did I know however, whilst best trying to find
comfort in the restrictive space allowed by an Easyjet flight’s seat from
Liverpool to Basel, that events which were to follow would culminate in treats
so far unimagined.
I arrived in Basel on the Friday evening and soon, once
more found myself as being the beneficiary of Switzerland’s public transport
efficiency.
I departed the shuttle bus from the airport at Basel’s
railway station which was only a very short walk away from the hotel I had
chosen for my two nights’ stay in this Swiss city.
This exhibition of HR Giger’s work that I had travelled
to attend, was being held at the privately owned Galerie Hilt under the title
of ‘Spaces’.
Galerie Hilt was first opened by its founder, Balz
Hilt, in 1955 on Aeschenvorstadt 43, Basel.
1990 saw the opening of Galerie Hilt at its current
location of Freie Strasse 88 and in 1993, Christian Ragni joined the gallery’s
employment.
Ten years prior to my visit to Galerie Hilt, HR Giger’s
work had been exhibited at Hilt by Christian Ragni, in 1997, under the title of
‘Projects’.
Ten years on from that date and HR Giger’s work was being exhibited again by Christian Ragni, under the title of ‘Spaces’.
This exhibition featured the commercial sale of HR
Giger’s sculptures, portfolios, limited edition prints, Artist’s edition
prints, digital lithographs and original drawings.
In the late morning of Saturday, 17th of March, I embarked on the walk from my hotel to discover the exact location of Galerie Hilt.
My hope was to gain access to the exhibition floor
space inside the gallery so as to photograph the works on display of HR Giger
prior to the arrival of the attending crowd of that day.
However, some initial issues of communication and
understanding existed and it took the sanction of an explanatory phone call
from Carmen Giger to pave the way of passage for my camera and I to enter the
areas of exhibition.
Once my access was allowed to HR Giger’s exhibition, I
was left with only a limited amount of time to cover the artworks on display
before the doors of Galerie Hilt were held open to the visiting public of that
day.
Then being the only person at that time with official
permission to photograph, I made my tour as quickly but efficiently as I
possibly could within the exhibition of ‘Spaces’.
I first used a roll of 35mm Ilford Black & White
film, followed by coverage with 35mm Fuji Colour film to capture what I could
with my hand held Canon EOS.
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